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Musical Symbolism in the Operas of Debussy and Bart��k Ananth V. Iyer offering an important insight into

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offering an important insight into responses to art and culture under the early Roman empire

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Musical Symbolism in the Operas of Debussy and Bart��k Ananth V. Iyer offering an important insight intoTwo early twentieth century operas Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) transformed the traditional major minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. Elliott Antokoletz reveals not only the new musical language of these operas, but also the way in which they share a

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